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Yves Tumor: Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds) Album ReviewRated 2023-03-17T06:10:14-0700 - Jaog |
Doug Paisley: Say What You Like Album ReviewRated 2023-03-20T05:17:30-0700 - Jaog |
M83: Fantasy Album ReviewRated 2023-03-20T05:23:41-0700 - Jaog |
Liturgy: 93696 Album ReviewRated 2023-03-27T05:19:32-0700 - Jaog |
Kesha: Animal Album ReviewRated 2023-04-24T22:44:45-0700 - sethherr |
The Fight for Queer Nightlife in an Era of Political ViolenceAmid rampant anti-trans legislation and attacks on LGBTQ+ communities, venue owners and performers are protecting the sanctity of their spaces—and their lives. #LGBTQ+ 2023-06-13T07:56:27-0700 Pitchfork Isabelia Herrera 3,000 words Rated 2023-06-19T23:54:44-0700 - sethherr |
The Secret Gay History of Indie RockIs it truly possible to queer one of the straightest genres of music? From the closeted to the overexposed, this is a lineage of queer indie rock icons. #LGBTQ+ 2023-07-05T08:58:46-0700 Pitchfork Emma Madden 4,000 words Rated 2023-07-05T09:28:46-0700 - Jaog Rated 2023-07-06T17:59:07-0700 - sethherr |
Elliott Smith: XOEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit Elliott Smith’s big 1998 album, both a transformational landmark and a logical next step for the restless composer. 2023-07-29T21:00:00-0700 Pitchfork Jayson Greene 2,000 words Rated 2023-07-31T05:29:47-0700 - Jaog |