Ratings

Yves Tumor: Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds) Album Review

Pitchfork

Rated 2023-03-17T06:10:14-0700 - Jaog

Doug Paisley: Say What You Like Album Review

Pitchfork

Rated 2023-03-20T05:17:30-0700 - Jaog

M83: Fantasy Album Review

Pitchfork

Rated 2023-03-20T05:23:41-0700 - Jaog

Liturgy: 93696 Album Review

Pitchfork

Rated 2023-03-27T05:19:32-0700 - Jaog

Kesha: Animal Album Review

Pitchfork

Rated 2023-04-24T22:44:45-0700 - sethherr

The Fight for Queer Nightlife in an Era of Political Violence

Amid rampant anti-trans legislation and attacks on LGBTQ+ communities, venue owners and performers are protecting the sanctity of their spaces—and their lives. #LGBTQ+

2023-06-13T07:56:27-0700 Pitchfork Isabelia Herrera 3,000 words

Rated 2023-06-19T23:54:44-0700 - sethherr

The Secret Gay History of Indie Rock

Is it truly possible to queer one of the straightest genres of music? From the closeted to the overexposed, this is a lineage of queer indie rock icons. #LGBTQ+

2023-07-05T08:58:46-0700 Pitchfork Emma Madden 4,000 words

Rated 2023-07-05T09:28:46-0700 - Jaog

Rated 2023-07-06T17:59:07-0700 - sethherr

Elliott Smith: XO

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit Elliott Smith’s big 1998 album, both a transformational landmark and a logical next step for the restless composer.

2023-07-29T21:00:00-0700 Pitchfork Jayson Greene 2,000 words

Rated 2023-07-31T05:29:47-0700 - Jaog